I grew up in Southern California surrounded by music, art, and the kind of open space that pushes you to make things. That mix of creativity and environment shaped how I see digital work today. Not as a collection of files or deliverables, but as experiences people carry with them.
My path has run through record labels, creative agencies, and emerging tech studios. At each stop, I learned how to bring order to ambitious ideas. At Warner Records, that meant helping artists translate their worlds into interactive moments. At Capitol, it meant understanding how sound, metadata, and release workflows fit together behind the scenes. At Autograph, it meant building digital assets that changed in real time and designing the systems that kept everything moving.
I like projects where creativity and constraint meet. The idea is strong, the technical challenge is real, and the execution has to be both thoughtful and precise. Production becomes storytelling in those moments. It shows up in the details, the timing, the consistency, and the way every team involved stays aligned.
These days, I work with artists, brands, and studios to build digital experiences that feel intentional. Sometimes that means interactive campaigns. Sometimes it is next generation asset pipelines. Sometimes it is simply helping a team find clarity so the work can breathe.
If you are developing something that sits between creativity and technology, something with a story to tell and real craftsmanship behind it, I am always open to a conversation.
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